Tag Archives: slowmo

Aivascope PRO 1.5x Anamorphic Lens test, quick update

(vimeo)

OK, so it’s been awhile. It’s been a weird year of ups and downs and I just don’t even know where to begin.

So, let’s begin with the Aivascope Pro 1.5x single focus anamorphic adapter. After asking nicely, Valdas of Aivascope graciously lent me one of the test copies of his new lens. I was excited to give it a try and looking forward to shooting as much as I could with it. Well, first came the rainiest early summer I can ever remember. Then, I got sick. Really sick. I was in doctor’s offices and hospitals in and out most of the summer. Instead of having the lens for a month, I had it for 3 and only shot with it 2 days or so. Both were really tough in the heat and I really shouldn’t have been out shooting in my condition, but I had to do something with it. It was driving me crazy.

I did two days in Chinatown with a similar rig. On the first day I tried the Voightlander 40mm f/1.4 lens. I had everything rigged on the Ronin-S the best I could and it did a decent job. I had fun filming but I had several issues keeping the rig stable because of the weird design of the Aivascope Pro and lack of a place to support the lens. But the BIGGEST issue was that the Aivascope Pro does NOT like fast apertures at infinity. You get really bad blooming and CA in the highlights.

You can see how bad the highlights are. This is at f/1.4
Same lens, a bit later, at f/2

It looked fine at closer focus, though. I was unhappy with the stability of my rig as well, so I waited until I felt decent and the weather was good to try again. This time I decided to use the Sigma 30mm f/2.8 as the taking lens. I also got the dual handles from SmallRig for the Ronin-S. This combo fixed 100% of my issues from the first shoot. Everything was sharp, clean, and stable. The only downside is that at f/2.8 with this modern lens is that everything looks a bit sterile. I threw in a few shots from the first day so I could have a bit more bokeh in the edit.It flared about the same on pretty much every lens I tried with it, but some lights randomly make it flare, some don’t.

Unfortunately things didn’t go well after the second day shoot and I never got around to editing this until now. I kinda wish I shot more, but hey. I’m happy with what I have. It’s better than nothing.

My final thoughts on the Aivascope Pro are this: It’s clean, it’s heavy, and it does what it says it does. It is NOT an Iscorama replacement. It is a completely different lens altogether. My main issues with the lens are the weight and the lack of a good place for support on the lens itself. It’s almost as heavy as the Bolex 16/32 with the FVD-16A on it. The only place you can support the lens is on the rear thread clamp. I tried to work around this on my rig by putting my follow focus under the lens on the focus gear. That helped a lot on the Ronin.

Speaking of the Ronin-S, it did a fantastic job. I am very happy with it’s performance and heavy rigs. Just balance, calibrate, and it’s always ready to go.

If I could afford to keep it I would definitely do so. It’s an excellent tool with it’s own look and strengths. But I’ve had a Bolex 16/32 1.5x for over a year and I barely use it, so it just didn’t seem like a smart buy for now.

Tech specs:
Panasonic GH5
4K UHD 60fps 4K, CINE-D
Converted to 24fps
Sigma ART 30mm f/2.8 MFT lens
Voightlander 40mm f/1.4 Leica M mount
Aivascope PRO 1.5x Anamorphic
DJI Ronin-S gimbal
IKAN Live Air Wireless Follow Focus

Filmed in Yokohama Chinatown, Japan.
Music is: Pick Up the Phone by Equalibrum

GH5 Anamorphic on the iPad Pro in LumaFusion

Vimeo

I had been wanting an iPad Pro since the first generation, but I couldn’t really justify it. I have been using a Surface 3 for my daily basic computing and simple creative work. It played back stuff from my GH5 no problem. But when I saw the new basic iPad was editing GH5 video, I was very interested.

The new iPad Pros were announced and I waited until I sold a few things to order one. So far, I am VERY impressed. Other capabilities aside, the fact that it handles my GH5 footage so flawlessly and QUICKLY made it an instant winner for me. (It also handles 6K and 400Mbit Anamorphic like it’s no big deal. More tests with those later.) It takes a bit of time getting use to the limitations of LumaFusion if you are use to endless option editors from Adobe and Blackmagic. The first issue I saw is that I couldn’t desqueeze in preview. I think I’ll try to do a comparison of video quality from the raw video and a set pre-compressed in the DeSqueeze app (another app I highly recommend).

Once you copy your videos to the iPad or import them from wherever, you can view and trim them instantly. Scrubbing is instant and in full quality. You can do this in the window or full screen on the iPad. Then you can color tag the clips and start dragging them on your timeline. Once on the timeline, you can then edit the video in any way you want. My timeline was already set for 2.76:1 Ultra Panavision. Set your clip to Stretch in Fit Mode and you’re good to go. You can then copy this attribute and paste it to the other clips as you work on them. I do wish there was a way to select all the clips, though. The only issue I have found is that you can’t copy speed settings. You have to do that to each clip individually. But it handled 59.97 fps to 24 fps perfectly.

After that, you edit your clips on the timeline to your liking. Then comes one of the amazing parts… One you’re ready, select a clip again and then go to the Color &  Effects tab… you can then instantly see a preview of any LUTs you have imported. Like, you can just touch any one, see it and play the clip back in real time. if you have 50 LUTs you can see how they on your clip instantly. After you have your LUT selected you can then tweak the clip’s color to your liking.

I went out to Ginza last weekend just to film a few clips to test this with. It’s the first video I shot with my new Blue Kowa 16-H, which will be my main lens from now on most likely. It worked very well with the Voightlander 40mm 1.4 (Leica M mount) that I have been using a lot lately. It’s so crazy to be editing video from a DSLR anamorphic rig on an iPad, but I don’t think this will be my last.

The limitations are something you have to work around. To get the film effect on the intro and end, I rendered out the video clips and then put them through an 8mm camera app. You only get 3 layers to work with, so you have to do as much as you can with one layer. The only thing I didn’t do on the iPad were my logo and the end card. I imported those to Affinity Photo and edited them to fit the video and end credits. I still want to see how far I can push what can be done on the iPad. I think next I need to find some good animation apps and really try to take it to another level.

I think the more I get use to workflow workarounds the more I can use the iPad to speed up projects and work on the go. That’s the plan. Most of that video was edited on the train from Yokohama to Tokyo. I am also finally getting my illustrations cleaned up and finished on the iPad. I need to move forward with those co I can start more. Music too? Yeah, hopefully. I’m excited. The iPad won’t be my only portable machine, though. I have something else, kinda. But that’s for another day.

Tech specs:
Panasonic GH5
4K UHD 60fps 4K, CINE-D
Converted to 24fps
Voightlander 40mm f/1.4 Leica M mount
Blue Kowa 16-H 2X Anamorphic Lens
Rapido FVD-16A

Filmed in Ginza, Tokyo.
Music is: Luster (Interlude) by Equalibrum