Tag Archives: music

JSD LABS: Panasonic GH5 VFR 180fps ver. 2.2 Test – Maihama Skate Park

When the newest GH5 Firmware update came out, it claimed to improve the stability of the VFR. To me, in hope, that was fixing some of the issues that I had earlier with the high speed modes beyond 120fps. We did do a few 120fps shots in Tokyo Dreams and I really didn’t see what everybody was complaining about. I had a few editors not even know it was shot in HD next to the 4K footage. So, with firmware version 2.2 in hand, I set out to Maihama Skate Park in Tokyo to practice skate filming and see if I could break the 180fps mode on the GH5.

I think using the VFR mode well is to know it’s limitations and strengths. Some of the best and cleanest shots were done with a good DoF. I used the 42.5mm f/1.2 Nocticron when I could, and even tried a few shots on my beloved 75mm Cosmicar f/1.4 c-mount lens. I always had the shutter at 180 and used a variable ND until it got too dark. I saw next to no issues with the footage frame wise, but I did not try to push any of the colors in editing. All in all I think I will be doing more slow motion at 180fps and not worry about any problems that seem to keep people from using it. The next step for me is to try and rack focus while filming fast motion. It’s kinda scary, as you could easily end up with nothing in focus, instead of most things in focus.

I am still slowly learning how to film skating properly. I don’t skate, so what I can do filming-wise is limited. I’d love to learn how to be a skate filmer and get to chase on a board, but I can’t risk getting injured or breaking gear right now. Maybe soon?

I was very lucky to get some great skaters for this video. Special thanks to everybody who helped out! And I’m sorry if I filmed you and it’s not in the video. I most likely screwed up the shot somehow.

Skaters in order of appearance:
https://www.instagram.com/charlie_fxtrader/
https://www.instagram.com/uhnair/
https://www.instagram.com/manasasaki_/
https://www.instagram.com/harutosk8/
https://www.instagram.com/shinn_nosuke_/
https://www.instagram.com/kaedesk8/
https://www.instagram.com/shimon_mdaskater/
https://www.instagram.com/luismoravids/
Toa Hoshino
https://www.instagram.com/yutohorigome/
https://www.instagram.com/austinnodie/
https://www.instagram.com/ericskateloveg/
https://www.instagram.com/maxkiks/

Video specs:
Panasonic GH5, firmware ver. 2.2
180fps 1080p VFR
42.5mm f/1.2 Leica Nocticron
12-35mm f/2.8 Panasonic
75mm f/1.4 Cosmicar c-mount
Various variable ND filters

JERHELL – KINGDOM HEARTS Music Video, Directed by JSD

My first real music video in awhile, and my first music video as JSD. Pretty excited to get it out there and the reception has been great!

Jerell wanted something quick and gritty, and he was thrilled with the result. After he told me what he wanted, I knew the perfect setting: Minato Mirai in Yokohama. We filmed half the video in Shinjuku and half at Minato Mirai. I had planned to try and film more in the Cosmo World amusement park, but they closed on days we needed to film and closed early the day we were there. It’s all good, as we got plenty of good footage regardless.

I filmed the video with a special setup using special settings on the GH5. I wanted ALL-I 60p 10-bit video, and my camera can only do that in 1080. Didn’t bother me, as I was going to use an anamorphic lens anyway. I used my Aivascope 1.75x anamorphic lens with the Focuser 8 diopter. Normally it’d be really difficult to use this setup at night, but I discovered that if I use my Voightlander 17.5mm f/0.95 lens in ETC Mode on the GH5, I can get much better images at even f/1.2 with the Aivascope. That lens loves small sensors.

I’m glad I got to help him out with his first real music video. I’ll be working with him and his crew more in the future. Next time we’ll take the quality up a notch. Looking forward to it!

Filming the Eupholks Live at the Basement Bar in Shimokitazawa, Tokyo

I have know the singer of the band Eupholks, Koike, for a few years now. He asked me to film some of his live shows, so I decided to give it a shot. The first time I tried to do a 2 camera shoot by myself… and it didn’t go well. More people showed up than expected and my b-camera was blocked partially or fully for most of the show. So, I acquired some help for the next one and figured… why not do it in anamorphic?

At first I was going to try some kind of 2x/1.33 hybrid, with the wide shots being 1.33 and the close up being 2x. I don’t have a good single-focus setup for 2x yet, so I decided just to borrow an SLR Magic Anamorpot and do the full thing in 1.33.

SLR Magic Anamorphot on the Left, my unbranded 1.33x classic adapter on the right.

I couldn’t get anybody with a GH4 or GH5 to help me, so I decided to try using my Panasonic G7 along with my GH5. I set them to the same settings for video, color, and white balance. The G7 was on the Beholder DS2A with the Panasonic 12-35mm 2.8 and the little 1.33x, and on the GH5 I had the Leica Nocticron 42.5mm 1.2 in ETC mode with the Anamorphot. I also got to try out the  Video IS lock on the GH5 for the first time, which works very well once you learn how to use it.

Unfortunately, filming didn’t go off without a hitch. Jesse, who was helping me film, had the G7 on the gimbal in the back. I didn’t show him how to check if it was recording properly and he missed the first 5 minutes of the show. The G7 didn’t like the combo of low light and the anamorphic, and would hunt occasionally when the lighting was low.

Yeah, I decided to do the whole show in auto focus on both cameras. If I’m gonna experiment with weird setups, why not see how far you can push them? If I could have changed anything, I would have put the Near/Far ring of the Anamorphot on a follow focus. When the camera is barely close enough to get focus with the combo, the auto focus can give up sometimes.

Overall I think they came out good. I kinda like the slow creep into focus the Nocticron did for a few shots, and I think it fits the overall show anyway.

I am looking forward to doing more stuff with Eupholks and other bands. I would love to somehow do a 3-camera anamorphic shoot if I can find the right people and gear.

Anyway, check the videos above for the show!

Eupholks
Youtube: https://www.youtube.com/channel/UCWvE_UroEu9Q7vzR0oMfI6A
tumblr: https://eupholks.tumblr.com/
bandcamp: https://eupholks.bandcamp.com/
Instagram: https://www.instagram.com/eupholks/
Twitter: https://twitter.com/hiroyuki_koike_

Special thanks to Jesse for helping me shoot!
http://iceblock.tv/

https://www.instagram.com/iceblocktv/

JSD Labs: Zhiyun Smooth II, iPhone 7 Plus, and Mavis in Yoyogi Park

A few weeks ago I got a deal on a new Zhiyun Smooth II, the updated version. I had read, though I forget where, that it has really strong motors that let you use clip-on lenses on big phones. While the DJI phone gimbal seems to have good features, I had also heard that people had issues adding extras on their phone. I jumped on this one while I had the chance.

That said, the Smooth II does not lack in features at all. In fact, in this video I only used a small fraction of them, the main being the basic stabilization modes. I’ll try to do some more tests on it when I get a chance, but overall I am very impressed with this gimbal. It’s super solid and takes the same batteries as my Beholder, which is a bonus. The only issue I have with it is that it’s almost too light. For added stability (and more shooting options) I had it attached to a monopod for most of this video.

The big test for this video, however, was Mavis. I wanted to see how hard I could push it during touch and go shooting. Some of the shots pulled out of this session are absolutely amazing. However, there is still a learning curve and process that must be followed to use it correctly. Sometimes you forget that you have a fully manual control and that you have to change the settings manually for each shot. I tried to use the auto settings a few times, or had it set on target mode by mistake, leading to fluctuations of shutter speed or whatever. It was also kind of hard to see the screen in bright light sometimes. I think that with a polarizer filter and slowing down a bit I could consistently get clean shots with this rig. The Smooth II is nice and stiff when using the screen, so working with settings on the fly is easy.

Only issues I encountered overall were using the zoom lens with having the gimbal on the monopod and leaving some setting on Mavis in target mode. The vibrations are too much for the zoom OIS and it was hard to get a clean, steady shot while moving and using the zoom. No issues otherwise. I hope to see how far I can push this setup. Editing and color grading was surprisingly easy for most shots. The 100 MB/s files Mavis gives you have plenty of information to work with. Don’t let your shots get too dark, though. But I think that goes without saying for any kind of mobile video.

Big shoutout once again to Jesse of Ice Block, who let me tag along as he shot some b-roll for his upcoming feature, The Library. Here is the video he shot that day:

Finally, once again the music was made in the Novation Launchpad app. It’s a fantastic app for making worry-free music on the fly.  I have built up a cache of clips to use for future videos and even went and bought some of the sound packs. It’s fun and easy until I can get around to making more 100% original music.

 

Hello Yokohama.

Wasn’t planning for this to be my first upload, but all my main projects are taking more time than I planned for various reasons.

I never get tired of city visuals in Japan.

This was mainly practice using the 1080p  120 fps feature on my Sony RX100IV. I wandered into main areas of Yokohama with the camera on my Beholder DS1 and just filmed whatever. It has no post stabilization and no additional time warping or remapping. Just re-interpolate the 120 fps to 24 fps and this is what you get. Aside some issues with color correcting (something I really need to practice more) I’m about 75% happy with how it came out.

Music was thrown together from something else I was working on rather quickly, so it’s not the best mix. No soundcloud until I make something I’m at LEAST 60% happy with.

Also available on vimeo.