Tag Archives: anamorphot

JSD LABS: GOLDEN AFTERNOON – GH5, SLR Magic Anamorphot-50, Iron Glass Modified Helios 44M, and Kenko Orange Filter

I had been thinking of ways to make use of the SLR Magic Anamorphot-50 outside of it’s basic look. I had already done some tests in DCI Cinema 4K with it, which with the Anamorphot gives you the same aspect ratio as a 2x lens in the GH5’s Anamorphic Mode. I was already trying to think of tests using 1.33x lenses for landscape and wide shots to mix with 2x shots for focused areas or people. I really wish I had access to another GH5 to do some real testing of this kinda stuff. But done right, the Anamorphot performs well.

Rig used for this shoot. GH5, M42 Lens Turbo II,
Iron Glass Modified Helios 44-M 58mm. Kenko YA 3 orange filter

I have a small collection of orange filters that I had been getting cheap on Yahoo auction for a year now. I had a few ideas on how to use them , and this is my first one. A lot of people complain about the strong blue flares on the Anamorphot-50 and how contrasty and out of place they can be. Well, I think I fixed that. Now they’re a nice golden color… but so is everything else. Not that I mind, I think for some projects this would work well.

The area I was filming in is one that I came across during my previous photo walk wanderings. It’s a great area and the trails remind me of the ones I grew up around in America. Nice and clean, beautiful views, quiet, and well maintained. The only issue I had was that the higher I climbed, the windier it got. Had I any other camera without excellent IBIS it may have been difficult to shoot with such a light setup.


The only disappointment from this shoot was that the Iron Glass Helios 44M is useless wide open on the Anamorphot. Even though the Anamorphic disc inside the lens brings the minimum to a f/3.5,  the Lens Turbo II brought it to a f/2.5. I shot some tests in Shinjuku wide open a few days ago and they were all unusable. I think I shot most of the Golden Afternoon video at f/4 on the lens. With the Animorphic bokeh filter and the Lens Turbo, I don’t even want to think about the math to figure out what I was actually shooting at.

I didn’t have my regular M42 adapter with me, so I just shot as-is. I want to try more to see if I can get a decent image wide open. I was really hoping for that orange/blue/violet hinted image. You can still see a bit of blue/purple in a few shots. The aperture changed the colors slightly depending on how far I was stopped down. I’d love to try an amber Helios with a blue filter someday.

Shooting 400mb/s gave me a lot of information to work with. I did play around with a few shots to see how many colors I could bring back, but that’s for another test. When shooting raw photos, I could get about 80% of the original colors back.

More fun projects coming soon!

Specs:
Panasonic GH5, C4K 24fps 400mb/s ALL-I
M42 Lens Turbo II
Iron Glass Modified Helios 44-M 58mm
Kenko YA 3 orange filter

Filmed at Konandaisaezurinooka Park in Yokohama, Japan.

Music by me, made in the iOS Launchpad app.

Filming the Eupholks Live at the Basement Bar in Shimokitazawa, Tokyo

I have know the singer of the band Eupholks, Koike, for a few years now. He asked me to film some of his live shows, so I decided to give it a shot. The first time I tried to do a 2 camera shoot by myself… and it didn’t go well. More people showed up than expected and my b-camera was blocked partially or fully for most of the show. So, I acquired some help for the next one and figured… why not do it in anamorphic?

At first I was going to try some kind of 2x/1.33 hybrid, with the wide shots being 1.33 and the close up being 2x. I don’t have a good single-focus setup for 2x yet, so I decided just to borrow an SLR Magic Anamorpot and do the full thing in 1.33.

SLR Magic Anamorphot on the Left, my unbranded 1.33x classic adapter on the right.

I couldn’t get anybody with a GH4 or GH5 to help me, so I decided to try using my Panasonic G7 along with my GH5. I set them to the same settings for video, color, and white balance. The G7 was on the Beholder DS2A with the Panasonic 12-35mm 2.8 and the little 1.33x, and on the GH5 I had the Leica Nocticron 42.5mm 1.2 in ETC mode with the Anamorphot. I also got to try out the  Video IS lock on the GH5 for the first time, which works very well once you learn how to use it.

Unfortunately, filming didn’t go off without a hitch. Jesse, who was helping me film, had the G7 on the gimbal in the back. I didn’t show him how to check if it was recording properly and he missed the first 5 minutes of the show. The G7 didn’t like the combo of low light and the anamorphic, and would hunt occasionally when the lighting was low.

Yeah, I decided to do the whole show in auto focus on both cameras. If I’m gonna experiment with weird setups, why not see how far you can push them? If I could have changed anything, I would have put the Near/Far ring of the Anamorphot on a follow focus. When the camera is barely close enough to get focus with the combo, the auto focus can give up sometimes.

Overall I think they came out good. I kinda like the slow creep into focus the Nocticron did for a few shots, and I think it fits the overall show anyway.

I am looking forward to doing more stuff with Eupholks and other bands. I would love to somehow do a 3-camera anamorphic shoot if I can find the right people and gear.

Anyway, check the videos above for the show!

Eupholks
Youtube: https://www.youtube.com/channel/UCWvE_UroEu9Q7vzR0oMfI6A
tumblr: https://eupholks.tumblr.com/
bandcamp: https://eupholks.bandcamp.com/
Instagram: https://www.instagram.com/eupholks/
Twitter: https://twitter.com/hiroyuki_koike_

Special thanks to Jesse for helping me shoot!
http://iceblock.tv/

https://www.instagram.com/iceblocktv/

The GH5 Era Begins and the Start of Lots of Updates

So, after a deal with a very dangerous group of individuals, I have finally acquired a GH5. This wasn’t planned to happen for a few more months, maybe even a year… but hey… GH5.

Not having a GH5 is not the reason for the lack of updates. I was very sick over the past few months. Last year a had a bout with vertigo that came back with a vengeance this year. Makes it hard to focus on anything. This was compounded by a list of other problems I won’t mention here. I am much better now. That’s all that matters.

I will go more in depth into GH5 ownership as I go down the road. For now, let’s talk about the two videos I posted recently.

One of the huge differences between the G7 and the GH5 is the 6K photo mode uses the actual full sensor, where the 4K photo mode on the G7 did not. Another big difference is the use of H.265 for these video files, which are a pain in the ass to deal with. However, once the files are properly re-wrapped in Handbrake, you get a massive 4992×3744 video file. When doing my first batch of tests on the first sunny day in awhile (the weather has been horrible since I got the GH5, pushing back planned videos) I shot a few “6K” videos.  Of course I had to do it with an anamorphic attached. After all was said and done I had 20 seconds of 9984×3744 pixels at 14.1 GB.  The only codec that seemed to be able to handle it in Adobe Media Encoder was the GoPro Cineform RGB 12-bit preset. I was using the Isco Ultra Star and the Panasonic 45-175mm zoom, a combination I use for no-nonsense sharp images. It was a successful test, but I think I can do better. I may clean out my work drive and try a short edit of sorts to see how far I can push it. I may even get out the Zoom H2 and do 5.1 surround audio too. Wow.

On to the next…

I picked up a copy of the Möller Anamorphot 32/2x awhile ago, but didn’t get much of a chance to shoot with it. This is a very special lens. I wanted one after hearing you could just screw a 40.5mm step ring on the front and use it as/is. Well, this was the start of a few issues I had with mine. To keep it short, I ended up having to file down the inside of the step-ring to get it to fit right, and even then it took awhile for me to get the confidence to put anything on the step ring. Unfortunately, it doesn’t work to well with the Aivascope Focuser 8. It’s just a bit too long. It does, however, work perfectly with my set of 52mm Nikon diopters. The filter ring also doesn’t rotate when you are focusing, a rarity among anamorphic projection lenses. If you get the custom Redstan clamp for it, it’s a completely trouble-free lens and is incredibly easy to use.

The above video was shot entirely at f/1.4 and double focus. You can use it at 1.2 as well, but my only 1.2 lens is too wide to use the Möller in Anamorphic mode. It’s such a sharp lens… just unbelievably impressive. I am, however, lucky that I can even use it in this state.

When I was cleaning up the lens and getting ready to black out the edges, I had the filter ring completely removed to get at the edges better with my paint marker. However, the lens was set at infinity. And with the top lock collar also removed, a bit of pressure on the top of the lens pushed down the focusing part and the front element…. popped up. It was a nightmare getting it aligned properly again. But as you can see above, I did eventually get it right.

Lastly… having 60fps at 4K is pretty amazing. I will thoroughly abuse this feature. I will also have fun with the other high frame rates… but I already hit a roadblock with those. More on that later!