Tag Archives: aivascope

Aivascope PRO 1.5x Anamorphic Lens test, quick update

(vimeo)

OK, so it’s been awhile. It’s been a weird year of ups and downs and I just don’t even know where to begin.

So, let’s begin with the Aivascope Pro 1.5x single focus anamorphic adapter. After asking nicely, Valdas of Aivascope graciously lent me one of the test copies of his new lens. I was excited to give it a try and looking forward to shooting as much as I could with it. Well, first came the rainiest early summer I can ever remember. Then, I got sick. Really sick. I was in doctor’s offices and hospitals in and out most of the summer. Instead of having the lens for a month, I had it for 3 and only shot with it 2 days or so. Both were really tough in the heat and I really shouldn’t have been out shooting in my condition, but I had to do something with it. It was driving me crazy.

I did two days in Chinatown with a similar rig. On the first day I tried the Voightlander 40mm f/1.4 lens. I had everything rigged on the Ronin-S the best I could and it did a decent job. I had fun filming but I had several issues keeping the rig stable because of the weird design of the Aivascope Pro and lack of a place to support the lens. But the BIGGEST issue was that the Aivascope Pro does NOT like fast apertures at infinity. You get really bad blooming and CA in the highlights.

You can see how bad the highlights are. This is at f/1.4
Same lens, a bit later, at f/2

It looked fine at closer focus, though. I was unhappy with the stability of my rig as well, so I waited until I felt decent and the weather was good to try again. This time I decided to use the Sigma 30mm f/2.8 as the taking lens. I also got the dual handles from SmallRig for the Ronin-S. This combo fixed 100% of my issues from the first shoot. Everything was sharp, clean, and stable. The only downside is that at f/2.8 with this modern lens is that everything looks a bit sterile. I threw in a few shots from the first day so I could have a bit more bokeh in the edit.It flared about the same on pretty much every lens I tried with it, but some lights randomly make it flare, some don’t.

Unfortunately things didn’t go well after the second day shoot and I never got around to editing this until now. I kinda wish I shot more, but hey. I’m happy with what I have. It’s better than nothing.

My final thoughts on the Aivascope Pro are this: It’s clean, it’s heavy, and it does what it says it does. It is NOT an Iscorama replacement. It is a completely different lens altogether. My main issues with the lens are the weight and the lack of a good place for support on the lens itself. It’s almost as heavy as the Bolex 16/32 with the FVD-16A on it. The only place you can support the lens is on the rear thread clamp. I tried to work around this on my rig by putting my follow focus under the lens on the focus gear. That helped a lot on the Ronin.

Speaking of the Ronin-S, it did a fantastic job. I am very happy with it’s performance and heavy rigs. Just balance, calibrate, and it’s always ready to go.

If I could afford to keep it I would definitely do so. It’s an excellent tool with it’s own look and strengths. But I’ve had a Bolex 16/32 1.5x for over a year and I barely use it, so it just didn’t seem like a smart buy for now.

Tech specs:
Panasonic GH5
4K UHD 60fps 4K, CINE-D
Converted to 24fps
Sigma ART 30mm f/2.8 MFT lens
Voightlander 40mm f/1.4 Leica M mount
Aivascope PRO 1.5x Anamorphic
DJI Ronin-S gimbal
IKAN Live Air Wireless Follow Focus

Filmed in Yokohama Chinatown, Japan.
Music is: Pick Up the Phone by Equalibrum

JSD LABS: Aivascope V2 Test, New Lenses, Custom Variable Diopter

(vimeo)

Finally getting around to filming some new videos.  Hit a few snags with life but more content should be rolling in relatively quickly from here on out.

I emailed Valdas of Aivascope to see if he’d let me try out his new and improved Aivascope. The video I did of the first one did well (a lot of people seemed to use it or stills from it to sell them…) and I’m still a fan. I only sold mine because I needed something I could use for anything and more often at night.

Well, that’s where this new version comes in. It was purported be be much sharper and better at fast apertures than the old one. And as you can see in the video above, that is VERY true. It gave me a chance to try one of my new favorite lenses, the Voightlander 40mm f/1.4 Leica M mount lens.

This lens seems to work with just about any setup I throw at it. I have more videos coming with this lens and another baby I picked up, the Canon 50mm f/18 L39.

The whole video was shot at f/1.4 and around ISO 800 pretty much. There might be a few shots at ISO 400 or f/2.0. The area of Tokyo we were in was very bright and had lots of lights. The Aivascope handled everything, especially the closeups, very well. The only issues I had were some flare ghosting by the custom variable diopter I thew together and a few shots where I forgot to turn off digital stabilization. It’s not bad overall and I’m still happy with the video. It really shows what the Aivascope can do. It doesn’t flare like the old one, but you still get some nice ones in the right light. The only thing I’m not sure sure about is the “D” bokeh, but it could grow on me.

As for the variable diopter used in this video, I made it from the focusing diopter glass on a Bell & Howel 2X anamorphic. The anamorphic part is cracked, so I picked up the lens super cheap. I designed my first ever 3D parts, and with some sanding they fit in a Pixco helicoid perfectly. Bam, a super sharp variable diopter for small anamorphics. It works on anything and REALLY surprised me with it’s quality, especially compared to the Focuser 8. Any aperture, any focal length. It’s only kryptonite is bright lights, they ghost in the elements and I can’t find out if I can fix that. It works, sometimes. Others… it looks really cheap. But for the 85% of shots where it’s super good, it’s still worth it.

I have to return the Aivascope in a few weeks, but I’ll try to get a few more videos done with it. I was planning to do an iPhone video with it, but iOS 12 bricked my phone. I’ll get a replacement soon and give it a shot.

Lastly, thanks again to Jennifer Liza for helping me out with another video! You can find her Instagram here.

Tech specs:
Panasonic GH5
4K UHD 60fps 4K, CINE-D
Converted to 24fps
Voightlander 40mm f/1.4 Leica M mount
Aivascope V2 1.75x Anamorphic
Custom Bell & Howell Variable Diopter
Marumi 72mm +3 Diopter

Filmed in Tabata, Tokyo.
Music by me, made in the iOS Launchpad app.

JERHELL – KINGDOM HEARTS Music Video, Directed by JSD

My first real music video in awhile, and my first music video as JSD. Pretty excited to get it out there and the reception has been great!

Jerell wanted something quick and gritty, and he was thrilled with the result. After he told me what he wanted, I knew the perfect setting: Minato Mirai in Yokohama. We filmed half the video in Shinjuku and half at Minato Mirai. I had planned to try and film more in the Cosmo World amusement park, but they closed on days we needed to film and closed early the day we were there. It’s all good, as we got plenty of good footage regardless.

I filmed the video with a special setup using special settings on the GH5. I wanted ALL-I 60p 10-bit video, and my camera can only do that in 1080. Didn’t bother me, as I was going to use an anamorphic lens anyway. I used my Aivascope 1.75x anamorphic lens with the Focuser 8 diopter. Normally it’d be really difficult to use this setup at night, but I discovered that if I use my Voightlander 17.5mm f/0.95 lens in ETC Mode on the GH5, I can get much better images at even f/1.2 with the Aivascope. That lens loves small sensors.

I’m glad I got to help him out with his first real music video. I’ll be working with him and his crew more in the future. Next time we’ll take the quality up a notch. Looking forward to it!

JSD Labs: Aivascope and Focuser 8 – First Test

Vimeo: https://vimeo.com/214292200

I had a full scale review of the Aivascope planned. And then this happened:

It was the middle of my shoot day. I was taking off the Magfilter when it slipped out of my hand. Only fell 10 cm or so, but flipped on the way down.

Right now it’s on it’s way back to Lithuania to be repaired.  I will continue my tests when it returns.

As for the video above, I wasn’t planning to make a video with those shots. But I had to put together something while I wait. It’s not the best, but I’m happy with what I got.

First, a few quick things about using the Aivascope and Focuser 8:

  • The Focuser 8 is CLEAN. I sold my Elmoscope-II rig mostly because I never grew to love the SLR Magic Rangefinder and it’s random blue at all the wrong moments. I hope to try it out on other lenses when my adapters arrive.
  • The Aivascope is very difficult to use on anything that isn’t wide or small sensor by itself. I have the focus-through version. However, it shines with the set of vintage Nikon 52mm diopters I got for it. Diopters make it very usable, but the Focuser 8 is what makes it awesome.
  • The Aivascope works on the Sony RX100 IV. I need to make a stable rig to utilize this better. I don’t want to have another drop.
  • The Aivascope works on the iPhone 7 Plus with the zoom lens. Even in 4:3 mode using Mavis. Will shoot with this soon.
  • The Aivascope has pretty bad anamorphic mumps when using the wider end of it’s ability. This can be fixed with the AMC plugin from Tito Ferradans and Lucas Pfaff.

As for the video, I shot it on the Panasonic G7 at 1080p 60fps, with the exception of the first and last shots, which were shot on the Sony RX100 IV at 120 fps.

The first half of the video was shot using the Sgma 30mm 2.8 Art on a Beholder DS1. I still didn’t have the kinks of my custom PID settings worked out, so I did use Warp Stabilizer to smooth out a few bumps. Overall it worked. Once I get the combo right (and a camera with IBIS) it should be super smooth. The second half was shot on a monopod and with the Panasonic Leica 42.5mm 1.2. Because of the size, anything below f/2.0 doesn’t register a change. (It gets kinda dreamy below 2.8 anyway)

If I still had the lens I would have shot a grid to get the right AMC settings. Had to eyeball it for this video.

More to come! Let’s hope it returns soon.