JSD LABS: Panasonic GH5 VFR 180fps ver. 2.2 Test – Maihama Skate Park

When the newest GH5 Firmware update came out, it claimed to improve the stability of the VFR. To me, in hope, that was fixing some of the issues that I had earlier with the high speed modes beyond 120fps. We did do a few 120fps shots in Tokyo Dreams and I really didn’t see what everybody was complaining about. I had a few editors not even know it was shot in HD next to the 4K footage. So, with firmware version 2.2 in hand, I set out to Maihama Skate Park in Tokyo to practice skate filming and see if I could break the 180fps mode on the GH5.

I think using the VFR mode well is to know it’s limitations and strengths. Some of the best and cleanest shots were done with a good DoF. I used the 42.5mm f/1.2 Nocticron when I could, and even tried a few shots on my beloved 75mm Cosmicar f/1.4 c-mount lens. I always had the shutter at 180 and used a variable ND until it got too dark. I saw next to no issues with the footage frame wise, but I did not try to push any of the colors in editing. All in all I think I will be doing more slow motion at 180fps and not worry about any problems that seem to keep people from using it. The next step for me is to try and rack focus while filming fast motion. It’s kinda scary, as you could easily end up with nothing in focus, instead of most things in focus.

I am still slowly learning how to film skating properly. I don’t skate, so what I can do filming-wise is limited. I’d love to learn how to be a skate filmer and get to chase on a board, but I can’t risk getting injured or breaking gear right now. Maybe soon?

I was very lucky to get some great skaters for this video. Special thanks to everybody who helped out! And I’m sorry if I filmed you and it’s not in the video. I most likely screwed up the shot somehow.

Skaters in order of appearance:
https://www.instagram.com/charlie_fxtrader/
https://www.instagram.com/uhnair/
https://www.instagram.com/manasasaki_/
https://www.instagram.com/harutosk8/
https://www.instagram.com/shinn_nosuke_/
https://www.instagram.com/kaedesk8/
https://www.instagram.com/shimon_mdaskater/
https://www.instagram.com/luismoravids/
Toa Hoshino
https://www.instagram.com/yutohorigome/
https://www.instagram.com/austinnodie/
https://www.instagram.com/ericskateloveg/
https://www.instagram.com/maxkiks/

Video specs:
Panasonic GH5, firmware ver. 2.2
180fps 1080p VFR
42.5mm f/1.2 Leica Nocticron
12-35mm f/2.8 Panasonic
75mm f/1.4 Cosmicar c-mount
Various variable ND filters

JERHELL – KINGDOM HEARTS Music Video, Directed by JSD

My first real music video in awhile, and my first music video as JSD. Pretty excited to get it out there and the reception has been great!

Jerell wanted something quick and gritty, and he was thrilled with the result. After he told me what he wanted, I knew the perfect setting: Minato Mirai in Yokohama. We filmed half the video in Shinjuku and half at Minato Mirai. I had planned to try and film more in the Cosmo World amusement park, but they closed on days we needed to film and closed early the day we were there. It’s all good, as we got plenty of good footage regardless.

I filmed the video with a special setup using special settings on the GH5. I wanted ALL-I 60p 10-bit video, and my camera can only do that in 1080. Didn’t bother me, as I was going to use an anamorphic lens anyway. I used my Aivascope 1.75x anamorphic lens with the Focuser 8 diopter. Normally it’d be really difficult to use this setup at night, but I discovered that if I use my Voightlander 17.5mm f/0.95 lens in ETC Mode on the GH5, I can get much better images at even f/1.2 with the Aivascope. That lens loves small sensors.

I’m glad I got to help him out with his first real music video. I’ll be working with him and his crew more in the future. Next time we’ll take the quality up a notch. Looking forward to it!

JSD LABS: GOLDEN AFTERNOON – GH5, SLR Magic Anamorphot-50, Iron Glass Modified Helios 44M, and Kenko Orange Filter

I had been thinking of ways to make use of the SLR Magic Anamorphot-50 outside of it’s basic look. I had already done some tests in DCI Cinema 4K with it, which with the Anamorphot gives you the same aspect ratio as a 2x lens in the GH5’s Anamorphic Mode. I was already trying to think of tests using 1.33x lenses for landscape and wide shots to mix with 2x shots for focused areas or people. I really wish I had access to another GH5 to do some real testing of this kinda stuff. But done right, the Anamorphot performs well.

Rig used for this shoot. GH5, M42 Lens Turbo II,
Iron Glass Modified Helios 44-M 58mm. Kenko YA 3 orange filter

I have a small collection of orange filters that I had been getting cheap on Yahoo auction for a year now. I had a few ideas on how to use them , and this is my first one. A lot of people complain about the strong blue flares on the Anamorphot-50 and how contrasty and out of place they can be. Well, I think I fixed that. Now they’re a nice golden color… but so is everything else. Not that I mind, I think for some projects this would work well.

The area I was filming in is one that I came across during my previous photo walk wanderings. It’s a great area and the trails remind me of the ones I grew up around in America. Nice and clean, beautiful views, quiet, and well maintained. The only issue I had was that the higher I climbed, the windier it got. Had I any other camera without excellent IBIS it may have been difficult to shoot with such a light setup.


The only disappointment from this shoot was that the Iron Glass Helios 44M is useless wide open on the Anamorphot. Even though the Anamorphic disc inside the lens brings the minimum to a f/3.5,  the Lens Turbo II brought it to a f/2.5. I shot some tests in Shinjuku wide open a few days ago and they were all unusable. I think I shot most of the Golden Afternoon video at f/4 on the lens. With the Animorphic bokeh filter and the Lens Turbo, I don’t even want to think about the math to figure out what I was actually shooting at.

I didn’t have my regular M42 adapter with me, so I just shot as-is. I want to try more to see if I can get a decent image wide open. I was really hoping for that orange/blue/violet hinted image. You can still see a bit of blue/purple in a few shots. The aperture changed the colors slightly depending on how far I was stopped down. I’d love to try an amber Helios with a blue filter someday.

Shooting 400mb/s gave me a lot of information to work with. I did play around with a few shots to see how many colors I could bring back, but that’s for another test. When shooting raw photos, I could get about 80% of the original colors back.

More fun projects coming soon!

Specs:
Panasonic GH5, C4K 24fps 400mb/s ALL-I
M42 Lens Turbo II
Iron Glass Modified Helios 44-M 58mm
Kenko YA 3 orange filter

Filmed at Konandaisaezurinooka Park in Yokohama, Japan.

Music by me, made in the iOS Launchpad app.

Tokyo Dreams – Luis Mora Short Film

Since October, I have been working on and off with Luis Mora on a film he’s wanted to make since he came to Japan for the first time earlier this year. We had planned to try and shoot it in a few weekends, but that drastically changed into all weekends and many weekdays/weeknights. Even with a lot of planning, this was a challenge to get done by his deadline. We only got to see a small part of Tokyo but it still came out huge.

Luis’s goal was to tell his story with Japan as a backdrop. I have done plenty of “Tokyo” videos in the past, so I already knew how to deal with that part. The first real challenge for me was filming skating for the first time. I had watched plenty of skating videos over the years, but never had a chance to film any skating. Luis was very specific as to how he wanted the skating filmed, so I had a lot to learn. I’m still filming with him while he is here, so I want to get even more practice.

I have a lot of experience with “new media consulting” but I have never worked with a “new generation vlogger” before. I learned a lot about how youtube works now for people who do it for a living, and I helped him with old school outreach planning and culture gaps. It was a very fulfilling experience overall.

As for the film itself, the GH5 performed wonderfully. We shot most of the film on the Panasonic Leica 42.5mm Nocticron at f/1.2 with a variable ND. We did a few during the day in tight spaces with the Panasonic 12-35mm f/2.8, and a few of the last shots were done with the Voightlander 17.5mm f/0.95. The 4K 60fps along with V-Log did a great job capturing the city colors. I’m super happy with the regular 4K 60fps. Another thing… the GH5 Dual IS and IS Video Lock are INCREDIBLE. I’m willing to bet you can’t tell which shots were on a gimbal and which were not. I mean, the gimbal was amazing in it’s own right, but I had no idea hw good the IS is until I was using it constantly. I used my Beholder DS2A with the DS2 arms when I could, though. Because of the GH5’s IS, even at 42.5mm, I could walk with it and get super smooth video with the Beholder. The only time I had small shakes was in high wind, but Warp Stabilizer smoothed them out to a point where I’m pretty sure you’ll have no idea where I used it. (Except for two shots, which absolutely had to be in the film)

Lastly, I’m a firm believer in the message of the film. I may not be where I want to be in life overall, but I have never given up doing what I want to do. As long as you don’t stop trying, no matter how little or how long it takes, you never know what you’ll accomplish.

I look forward to working with Luis more and have a lot of my own projects coming as well! Stay tuned!