Finally getting around to doing some test shots and setups with my anamorphic stuff. I recently picked up an Elmoscope-II and a SLR Magic Rangefinder to make the filming process a bit easier. I had done some tests with my other lenses (they’re on instagram) so I wasn’t completely lost as to what to do. But I still ran into some challenges.
I originally filmed with a clamp and lens support on rails… but on the first day of shooting I had a few scary moments with the lens just… falling out of the tightened clamp. I NEVER had that happen with my Isco Ultra Star. I discovered my Sigma ST-21 tripod ring fits the Elmoscope PERFECTLY (like it was made for it) so I have been using that since. When on the tripod ring you can only use it with the rangefinder. I ordered a Redstan screw-on clamp made for this lens, because I have projects where I will need to dual focus.
Biggest issue when filming… Centering and vignetting.
The widest you can go on the Elmoscope is 85mm on a 35mm frame, which is what the Leica 42.5mm is on MFT. I tried to go with that, seeing that it had OIS and one of the best images you can get to start with. On the clamp it wasn’t so bad. But on the tripod collar the slightest movement will take it off center and give you a black corner. This is fine if you are cropping, but I haven’t decided if I want to crop any projects that I will be using this on. I like the super wide look. I also had issues with distortions that I didn’t have when the lens was on the clamp. No matter how tight I got everything down, I think there was still too much movement between the lens and camera. This could also have been triggered by the OIS, which is a problem I had with the iPhone 7 Plus and the anamorphic I was using. I want to try a camera with IBIS some time in the future to see if this cuts down on the warping. Until then, once I get my Redstan clamp, I will try it again.
I only shot with the Helios-44 at night, which is where I think it shines. You can tell the differences in the shots. The Helios just gives this amazing glow to everything. Unfortunately, that’s not what you always want. They obviously don’t match the other shots in the same area. Also, I’m not sure if this is just my copy, but my Helios-44 goes…beyond infinity? When I originally set it up on the rig I thought that something was wrong with the Rangefinder or Elmoscope. Set everything to infinity, and…. blurry. It was only when I was trying to dual focus it that I realized the focus ring doesn’t stop at infinity and infinity isn’t marked properly. Made it a pain to get right and sharp. I’m going to try and get another Helios-44 and see if it’s the same.
Another issue I had was the golden or white halo. Depending n the sun or light angle, it would fill all or half the corners. I know some people like it, but I don’t.
This was an issue I had on my Ultra Star too. A little too late, but Tito Ferradans over at Anamorphic on a Budget JUST released a video on how to fix this here: Kowa B&H Edge Blackening. I will definitely be doing this to my lenses.
Lastly, I am not 100% sold on the Rangefinder. I think it has it’s uses and benefits, but I can see why a lot of people don’t like the blue flares or dots this thing makes.
On the plus side, the Rangefinder performed very well as far as focusing. I was able to get very sharp images from 2.0 and up on the Leica and 2.8 and up on the Helios-44. I even put a 1x diopter on the front and it focused closer very well. I plan to try some stronger diopters when I get the chance. The ONLY negative aspect to focusing was how much I had to turn the damn thing on a follow-focus. But, I think with some better gearing (and maybe a better follow focus) that could be solved.
Overall, I think this setup has some potential. My goal is to work on it until I can get 100% cinema-clean images. That will take modifying the setup AND how I shoot. I may be uploading a ton of shorter tests until I am 100% happy with the results.
I also want to thank Jesse from Ice Block for helping me out and being in the video. I had a hard time getting people to commit and be in my videos for some reason.